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2024考研英语一 · 新题型
本页为 2024考研英语一 新题型的完整原文、正确答案与逐题解析（原文约 581 词，共 5 题）。建议先自己作答，再逐题核对解析里的原文定位与干扰项说明。
2024考研英语一新题型原文
41. Hannah Simply there are people in Nigeria who cannot travel to the Smithsonian Institution to see that part of their history and culture represented by the Benin Bronzes. These should be available to them as part of their cultural heritage and history and as a source of national pride. These is no good reason that these artifacts should be beyond the ordinary reach of the educational objectives or inspiration of the generations to which they were left. They serve no purpose in a museum in the United States or elsewhere except as curious objects. They cannot be compared to works of art produced for sale which can be passed from hand to hand and place by purchase.
42. Buck We know very exact reproductions of artwork can be and are regularly produced. Perhaps museums and governments might explore some role for the use of nearly exact reproductions as a means of resolving issues relating to returning works of art and antiquities. The context of any exhibit is more important to me than whether the object being displayed is 2000 years old or 2 months old. In many cases the experts have a hard time agreeing on what is the real object and what is a forgery. Again, the story an exhibit is trying to tell is what matters. The monetary value of the object on display is a distant second place in importance.
43. Sara When visiting the Baltimore Museum of Art, I came across a magnificent 15th-century Chinese sculpture. It inspired me to learn more about the culture that it represented. Artifacts in museums have the power to inspire, and perhaps spark that need to learn and understand the nature of their creators. Having said that, I do feel that whatever artifacts find their way to public museum should, in fact, be sanctioned as having been obtained on loan, legally purchased or obtained by treaty. Stealing artifacts from other peoples' cultures is obscene; it robs not only the physical objects, but the dignity and spirit of their creators.
44. Victor Ancient art that is displayed in foreign countries by all means should be returned to the original country. The foreign countries have no right to hold back returning the items. I would ask that the foreign nations and the original country discuss the terms of transfer. Yes, there is the risk that the original will not have as good security as do the foreign-countries. But look at what happened to Boston's Gardner Museum theft in 1990, including the loss of Rembrandt Vermeer, Manet and other masterpiece. Nothing is absolutely safe nowhere, and now Climate Change agitators are attacking publicly displayed work in European museum.
45. Julia To those of you in the comments section who are having strong feelings about artifacts being removed from cities in the US and Britain and returned to their countries of origin. I would ask you to consider: why do you think Americans have more of a right to easily access the Benin Bronzes than people of Nigeria? Why are people who live within a days drive of London entitled to go and see the Elgin Marbles wherever they want, but the people of Athens aren't? What intrinsic factors make the West a suitable home for these artifacts but preclude them from being preserved and displayed by their countries of origin? If your conclusion is that the West is better able to preserve these artifacts, think about why you're assuming that to be true.
答案与逐题解析
答案速查
41E
42C
43F
44G
45B
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41Hannah：选择最匹配的信息。
答案E
解析Hannah强调尼日利亚人无法亲赴史密森学会观看贝宁青铜器所代表的历史与文化，这些文物应作为其“cultural heritage and history”及“national pride”供当地人接触；在美国等地博物馆中它们“serve no purpose...except as curious objects”。这直接对应E：文物真正价值只能在原产国被认识。A补偿、C复制品学习、F获取方式、G安保等均未提及，故排除。
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42Buck：选择最匹配的信息。
答案C
解析Buck主张可用“very exact reproductions”化解归还争议，展品语境比实物年代更重要，“the story an exhibit is trying to tell is what matters”。这支持C：原件归还后，参观者仍能从复制品中学到同样多。D否定复制品替代性，与其观点相反；E强调原产国价值、G谈安保，均非其重点。
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43Sara：选择最匹配的信息。
答案F
解析Sara承认文物能激发对创作者文化的了解，但强调进入公共博物馆的文物必须“obtained on loan, legally purchased or obtained by treaty”，偷窃“is obscene”。这对应F：获取他国文物的方式必须体面合法。C复制品、E原产国价值、G安全等均未论述，故不选。
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44Victor：选择最匹配的信息。
答案G
解析Victor主张古代艺术品“should be returned to the original country”，外国无权扣留；虽承认原产国安保或不如外国，但指出波士顿加德纳博物馆也曾失窃，“Nothing is absolutely safe nowhere”。这对应G：安保担忧不能成为拒绝归还的借口。F谈获取合法性、C复制品均非其核心。
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45Julia：选择最匹配的信息。
答案B
解析Julia连串质问：为何美国人比尼日利亚人更有权接触贝宁青铜器、伦敦附近居民比雅典人更有权看埃尔金大理石，并挑战“西方更擅保存”的预设。这对应B：反对归还原产国的推理本身有缺陷。E强调价值仅在原产国、G谈安全，均不如B概括其驳斥逻辑。
本卷其他题型
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